Born into a musical family in Coventry, Chris began playing guitar at the age of eight and piano from the age of nine, and plays most things with fretted strings or keys. Largely self-taught, he’s worked in a variety of musical genres including folk, theatre and early music. He’s a regular musician at Shakespeare’s Globe and was also one of the musicians on BBC’s Poldark, appearing in series 1 and 2. He also writes and composes, having adapted The Wind in the Willows (2017) for GreenMatthews as well as A Christmas Carol: In Concert (2018). He has also recently released his first solo album Switched-On Playford, which fuses 17th-century dance music with electronica, using a blend of early instruments, synths and loops. He's currently working on a new live score for the 1922 silent film Nosferatu.
Sophie began playing flute at the age of ten but is now more well-known for her prowess on the English border bagpipes and has become one of the foremost players of the instrument in the UK. She also plays a variety of early woodwind instruments such as shawm, rauschpfeife and recorder. She’s one of a handful of British players of the baroque musette, an 18th century French bagpipe similar to the Northumbrian smallpipes. Sophie is also recognised as a superb interpreter of narrative song with a clear, pure and unaffected soprano voice. When not touring with GreenMatthews, Sophie is an accredited lecturer for The Arts Society, lecturing primarily on Music in Art. Sophie makes instruments (she made her own baroque oboe) and works with respected luthier Tony Millyard on his flutes. She’s previously worked with The Oxford Waits as well as the respected early music collective Piva. Sophie is self-taught on all of her instruments.